Is absolute solitude a sign of depression?
16 hours ago
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01. We Are What You Say
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"Asylum, I think, is to say, a safe place to be when you're frightened and alone." It is in such disarmingly basic terms that the British psychiatrist, R. D. Laing, defines his therapeutic community in London, the subject of Peter Robinson's documentary, "Asylum." The community, which occupies very unpretentious quarters and houses fewer than 20 patients (probably not the right word) along with some Laingian therapists, was filmed by Mr. Robinson and his two-man crew during what must have been for them six very trying weeks early in 1971.
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01. Overture: Winged Night Demon
"A compilation of trailers from horror and exploitation films from the '60s through the '80s" (100 min)
Trailers included :
01. Wotans Procession
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"Mondo Cane examines the ridiculous and cruel aspects of mankind, recording an abundance of evidence across the global spectrum from the most developed to the most primitive cultures. This film kicked off the "shockumentary" genre, but generally its many sequels and imitators were simply exploitational and lacked the pointed purposefulness of the original. While Mondo Cane's "shock value" has faded over the years, the movie's striking cinematography and poetically sardonic viewpoint make it uniquely effective."
Sala na I spratu Doma omladine Beograda - Ponedeljak, 07. jun, 21:00
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"Ben: Diary of a Heroin Addict is the best documentary about heroin addiction that I have watched so far. The documentary covers 2 last years of Ben's life and reveals all the hard times he had with his 15 year addiction. The interesting thing about this documentary is that Ben has filmed it by himself. Of course he didn't know that it will become a documentary. I cannot describe to you how greatly done is this documentary so take my word on it and watch it. You wont regreat it."
Ljudi, pomagajte ako boga (ne)znate. Naime, moje mače SKVIKI je nestala danas bez traga oko podneva, svuda sam je tražio, gajbu sam preorao, svaki pa i najmanji štek sam izvalio, zatim celu zgradu sam istrkeljiso, zvonio na vrata ljudima te ih maltretirao, obišo oko cele zgrade, pretražio svo drveće, sve žbunove, sva parkirana kola ali mog Skvikija i dalje nema pa nema, evo potraga ulazi već u deveti sat a od nje ni traga ni glasa.
Skviki u levom uglu
Skviki kad je bila malešna
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Dakle, straight edge kad se pojavio to je bio pravi boom, pogodak u centralu, ali problemi po meni nastaju kada su krajem 80-ih od svega toga napravili pokret sa brdo nekakih pravila, a čim takvo nešto postane pokret tu dolazi i do uniformisanja i još trista sranja, jebote odeš na koncert a ono svi na isti fazon odeveni, čejn voliti i tako neka ludila, ja sam se toga još tada gnušao pa se evo i dan danas gnušam kad odem na neki gig i vidim da je to taj jedan te isti fazon iz 90-ih. E baš zato je po meni jedina realna verzija straight edga trebala da bude ova individualistička sa laganim naginjanjem ka anarhizmu, i u ovom dokumentarcu su Ian MacKaye i Ray Cappo bacili odlične prijave na tu temu, jer kada nešto postane pokret vrlo brzo se pretvara u modu, što je i logično, jer niti jedan pokret nije imun na to, a ako ti to cepaš skroz solo, kao svoj životni stil, to onda i ima smisla, znači, ne mora niko da zna da si ti SXE osim tvojih prijatelja, dok smo mi početkom 90-ih sa onim X-evima na rukama i majicama, više ličili na neku klinačku uličnu bandu nego na pokret. Vaistinu beše tako. Evo nek me neko slobodno ispravi ako grešim.
Uostalom vrlo brzo je većina ljudi, pa i ja sa njima, iz tada zaista malešne BGD ekipe (30-ak njuški u vr' glave) koja se okupljala oko bendova poput Stonewalla, Unisona, Falldowna i Austerity-a, skrenula u taj neki militantni fazon koji smo pokupili od Slapshota i Chorus of Disapproval, i onda je logično sve to otišlo u qrac. Naravno i ova priča je jako dobro pokrivena u dokumentarcu.
E sad dolazimo do poente, šta sam zapravo hteo da kažem. Tedoh reći da straight edge i MRŽNJA nikako, al' nikako ne idu zajedno, jer ako se setimo tih ranih bendova, od Minor Threata preko Youth of Todaya, ono što je najviše bilo potencirano u njihovim tekstovima je bio taj positive attitude prema životu, ili positive outlook, kako se kome više sviđa, znači da se voli život, da se pozitivno gleda na sve probleme u životu, a ne ovaj militaristički fazon koji je bio prepun mržnje, i unosio crnilo u celu tu priču, jer npr. ja nikad nisam pozitivno gledao na život, uvek sam bio pesimista, oduvek sam bio skloniji toj tamnijoj strani, depresiji, nasilju, i tako tim sranjima, tako da realno sve i da sam hteo nisam mogao predugo da ostanem straight edge, jer jednostavno nije to TO, to nisam ja, ne može ništa na silu jebiga, a na drugu stranu imam drugare koji su i dan danas u toj priči, i njima to skroz leži jer su takvi ljudi, pozitivni, bez zajebancije. I zato uvek kažem, ja obožavam bendove kao što su Slapshot i One Life Crew, ali to jebiga nije staight edge, jer mržnja i nasilje nikako ne mogu da budu deo straiht edge-a. Uostalom evo vam onaj dokumentarac Inside Straight Edge (2007), u kome je SXE predstavljen kao nekakva ulična banda koja premlaćuje ljude koji se gudraju i cirkaju, što ako ćemo iskreno, više liči na neku skinhead priču nego na pokret koji je trebao da unese nešto pozitivno u tu hardkorpank subkulturu. U svakom slučaju, o svemu ovome je jako lepo ispričano u dokumentarcu, te vam ga naj-naj-toplije preporučujem, a posebno me prijatno iznenadio Ray Cappo, jer su ga pljuvali na sve strane, a on ovde isporučuje možda i najrealniju, najiskreniju priču, no to procenite sami. Još samo da napomenem, da je pored tema koje sam naveo, ovde pokrenuta i priča o animal rights aktivizmu, vegetarijanstvu, veganizmu, feminizmu, tako da bi' jako voleo da čujem šta kolega Bojan Vegan, jedini čovek iz te prve SXE ekipe koji je i dan danas ostao lojalan straight edge-u, ima da kaže povodom dokumentarca pa i ove moje priče. I da, mora da se zahvalim Miletu iz Petrovgrada-Zrenjanina, koji mi je nabacio ovaj dokumentarac. Mile brate, hvala puno. (83 min)
"28 years after the band Minor Threat released the song ‘Straight Edge’, the counterculture known as Straight Edge has become a worldwide phenomenon that unites individuals rejecting all forms of intoxication. The most widely associated perception of Straight Edge involves abstinence from alcohol, tobacco, other drugs and promiscuous sex. Since it’s origin in the early 1980’s these beliefs have spread all over the world, connected through the Punk and Hardcore music scenes. Through interviews with musicians that directly shaped the idea of Straight Edge from its inception until today, EDGE - perspectives on drug free culture reveals that the abstinence from drugs was established as a youth counter culture rejecting a society dominated by substance abuse and hegemony. Ian MacKaye (Minor Threat, Fugazi), Ray Cappo (Youth of Today, Shelter) and Karl Buechner (Earth Crisis, Freya) give witness to their perception of the history of Straight Edge, why it was so important to them and what it changed in their personal and professional careers. But they also address problems like violence, sexism and intolerance that emerged within Straight Edge, and how it changed the ’scene’ as well as its public image. Furthermore, EDGE explores the lives of 10 individuals, that identify as Straight Edge. Their reasons range from negative experiences with drugs to maintaining a healthy lifestyle to political reasons. Through a very close and personal look into their daily lives, we see how their decision to live ‘poison free’ has changed the world for them. But how do people discover Straight Edge? How do women experience Straight Edge subculture? What social backgrounds are shared by people new to the scene and what makes someone turn Straight Edge? How does mainstream culture perceive this movement? EDGE is looking for answers to these questions on a roadtrip behind and beyond the scenes of the Straight Edge subculture."
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