Onomad kad sam gledao onu genijalnu epizodu South Parka o stanovitoj pedofilskoj organizaciji pod imenom NAMBLA, ja sam kontao da je to neka žešća zajebancija, da je to parodija na nešto treće, al' ne lezi vraže. Pre jedno 2 godine naletim ja na ovaj dokumentarac i skontam da ta NAMBLA zaista postoji i da je najopuštenije legalna u SAD. E sad, pošto je taj prvi snimak ovog dokumentarca bio više nego skrnav, znači neki VHS ubiboze rip, odbio sam da ga uturim na blog, jer ipak kvalitet na prvom mestu, a i moram da brinem o čitaocima ovog bloga da ne gledaju kojekakva sranja, te sam konačno došao u posed skroz OK verzije, te je evo. Inače ta NAMBLA se konkretno bavi, pa'i sad, "Liberalization of laws against sexual relations between Adult and minor males". Hell, yeah!
U ovom dokumentarcu pored matorih perverznjaka svedoči i mlađa ekipa pedofila. Ono što je jako zanimljivo je da oni skroz otvoreno govore o svojoj ljubavi prema dečacima, mlađim maloletnicima u ovom slučaju, pa čak i učestvuju u demonstracijama sa LGBT ekipom, što se naravno ovima nikako ne sviđa, jer ipak nije isto biti gej i pedofil, tako da su ih gejevi baš žestoko napljuvali. Naravno, postavlja se pitanje kako takva jedna organizacija uopšte može da postoji, ali ako uzmemo u obzir da u SAD dogod samo kenjaš i ne činiš krivično delo, to je OK, i dozvoljeno, onda je stvar jasna. Dakle NAMBLA samo propagira to, bori se za to, ali kao gistro ne privodi maloletnike. Tu je predstavljen i slučaj jednog nastavnika u srednjoj školi koji je optužen da je "dirao decu", ali u ovom filmu vidimo kako ga njegovi učenici brane. Dalje imamo dokumentovane slučajeve pedofilije još u staroj Grčkoj gde su mentori pored toga što su ih učili filozofiju i opštili sa svojim učenicima, pa onda u Sparti slična akcija samo su ovde "podučavali" mlade ratnike. Dalje idu primeri Sicilije, starog Rima i Neronovih bahanalija, zatim Japan i mladi samuraji, pa i neka domorodačka plemena gde je svaki dečak morao da bude obrađen da bi postao pravi muškarac i slično. Uglavnom razne forice su smišljali ljudi tokom vekova samo da opravdali svoju žeđ za analnim otvorom, uostalom evo sad da pitamo bilo kog muškarca šta mu je jače, analni seks ili obični, velika većina će se rađe opredeliti za analni, mož' se lažemo ali to je tako, što uže to bolje, if ju nou wot aj min. (55 min)
"Members of the controversial group NAMBLA (North American Man/Boy Love Association) discuss why their organization supports "boys and men who have or desire engagements in sexual or emotional relationships."
Prati živote dve devojčice tokom dve godine u ženskom popravnom domu i izvan njega. Prvobitna ideja rediteljke je bila da napravi još jedan u nizu dokumentaraca o dečacima, ali nakon što je slučajno videla zgradu za devojčice i koliko su odnosi među svima tu topliji i bliskiji, prema njenim rečima "Kao u internatu, samo bez privilegija", odlučila se za lepši pol. Time joj se i poremetio cilj da popljuje i pokaže da je sistem kriv za sve, jer nije tako, priča je mnogo komplikovanija. Naravno, većina njih tamo misli da je dete koje je pravilo najviše sranja kul i verovatno pokupe dosta znanja koje upotrebe u eventualnom daljem kriminalnom životu, retki su slučajevi da se u popravnom domu neko dete zaista 'popravi', ali mislim da glavna krivica ipak pada na porodicu. Ne može neko da očekuje da potpuni stranci nauče dete kako, šta i gde treba i da to dete ostane anđeo, a da ga pritom otac zlostavlja dok majka pljačka banke.
Kao što rekoh, dve devojčice, Megan, klasičan primer, celo detinjstvo se vukla od jedne do druge starateljske porodice, majka joj je narkomanka, i Shanae, koja je tu jer je sa 11 godina izbola drugaricu i tako je ubila. Da se primetiti (kroz ovaj, kao i druge filmove) da oni koji u startu govore kako su svesni da su pogrešili, obično ostanu samo na toj priči. Takva je recimo Megan, simpatična, pričljiva, tvrdi kako sve razume, sve zna i neće nikad više, a opet sve vreme pravi gluposti u domu (čak je pokušala da pobegne). Za razliku od nje, Shanae u startu nije imala pojma šta se dešava, maltene je bila spremna da kaže da je učinila dobro delo, ali kad je malo došla k sebi, umesto da tvrdi da je najpametnija, počela je od nule, pa je tako bila u poziciji da napravi progres. Tokom dokumentarca saznajemo i neke prilično užasne stvari kroz koje je prolazila koje su uticalo na to da se nađe tu gde je.
Inače, nevezano za sam dokumentarac, počelo je prilično da mi upada u oči koliko su američke klinke previše 'odrasle'. Za ove devojčice je to logično, težak život ih je naterao da sazru previše rano, ali i generalno po dokumentarcima (Zombie girl mi prvi pada na pamet) pričaju previše smisleno za decu. S jedne strane je super, ali opet je i prilično tužno, propuštaju dobar deo detinjstva kada one već sa 10-11 godina pričaju o smislu života, odlučuju da treba da traže posao ili upadaju u stadijum dominacije, ipak mi se više sviđaju domaća deca.
"Girlhood, the new documentary film from Academy Award-nominated director Liz Garbus, tells two coming-of-age stories from the real America: Shanae, ten years old when she was gang-raped by five boys, responded by drinking and drugging, and then graduated to murder, with the stabbing death of a friend, at age 11. Megan, whose mother abandoned her to turn tricks to support her ravaging heroin addiction, ran away from ten different foster homes before being arrested for attacking another foster child with a box cutter. Both girls ended up in the Waxter Juvenile Facility, home to Maryland's most violent juvenile offenders. It is here that their journeys really begin. With unprecedented access to the system and to the complex interior lives of the protagonists, girlhood follows Shanae and Megan over the next three years of their lives, as they struggle to come to terms with their crimes, their pasts, and their futures. One of them will graduate from high school at #4 in her class, having made her way through the minefield of her childhood and even greater crises to come; another will find herself trapped by the demons of her upbringing, on the streets of East Baltimore, still searching for salvation. But both will struggle to come of age in an America in which childhood, as we would all like to imagine it, is in shorter and shorter supply. A story of mothers and daughters, crime and its consequences, and ceaseless striving in the face of inconceivable adversity, girlhood is a testament to the faith and struggles of two young girls just trying to grow up."
"Wheel of Time is a 2003 documentary film by German director Werner Herzog about Tibetan Buddhism. The title refers to the Kalachakra sand mandala that provides a recurring image for the film.
The film documents the two Kalachakra initiations of 2002, presided over by the fourteenth Dalai Lama. The first, in Bodhgaya India, was disrupted by the Dalai Lama's illness. Later that same year, the event was held again, this time without disruption, in Graz Austria. The film's first location is the Bodhgaya, the site of the Mahabodhi Temple and the Bodhi tree. Herzog then turns to the pilgrimage at Mount Kailash. The film then focuses on the second gathering in Graz.
Herzog includes a personal interview with the Dalai Lama, as well as Tibetan former political prisoner Takna Jigme Zangpo, who served 37 years in a Chinese prison for his support of the International Tibet Independence Movement."
"Chulas Fronteras is a documentary about the music of the Mexican community on both sides of the Texas-Mexico border, particularly of migrant farmers. It includes material about the roots of the music, but devotes principal attention to the music as a form of social protest against oppression and racism."
O touretteovom sindromu sam već pisao povodom dokumentarca Teenage Tourettes Camp (2006), tako da ne bih da se ponavljam, te ću navesti samo jedno odlično poređenje koje je izvalio glavni junak ovog filma da bi nam pojasnio kako taj poremećaj zapravo dejstvuje. Zamislite da vam se kija, ali baš jako da vam se kija, i čak i ako se suzdržite nekako u tom prvom talasu na kraju ćete ipak morati da kinete, e isto je sa tourettom, dok čovek ne izbaci tu psovku, tik ili šta već, nema šanse da se smiri, nešto ga jednostavno goni, i tu nema boga. Dakle, stvar je jasna, NEMA BOGA ! (59 min)
"In 1988, teenager John Davidson featured in a BBC documentary about Tourettes. At that time, few people had even heard of Tourettes Syndrome, let alone knew anything about the neurological condition which, at its worst, causes violent body movements and outbursts of swearing. John was 16, and trying to come to terms with a frightening world where his language and behaviour was a constant form of offence to everyone around him. In 2002, he took part in a follow-up film alongside 8-year-old Greg Storey, who had recently been diagnosed with Tourettes. Now, seven years on, this film revisits both John (aged 37) and Greg (aged 15), and sees how their worlds have changed. Greg is now the same age as John was when he first took part in a documentary. How does Greg's experience of being a teenager with Tourettes compare to John's, and how does John's life continue to change ?"
"You can almost hear Simon & Garfunkel begin to like each other again on this now-legendary set। On September 19, 1981, the duo reunited for just the second time since their initial breakup and revealed a camaraderie that had apparently vanished years earlier. Not only do they reprise their shared hits, they also work in a few of Paul Simon's solo gems and a couple of telling covers--one from the Everly Brothers and one from Chuck Berry. The band includes the best session men around. By the time they get to the sincerity of "Old Friends" and the joy of "The 59th Street Bridge Song," you sense a relationship fully repaired. After this success, they even planned a studio record together--one that eventually became Simon's overlooked Hearts and Bones--few were surprised when it did not come to pass." (155 min)
01. Mrs. Robinson 02. Homeward Bound 03. America 04. Me and Julio Down by the Schoolyard 05. Scarborough Fair 06. April Come She Will 07. Wake Up Little Susie 08. Still Crazy After All These Years 09. American Tune 10. Late in the Evening 11. Slip Slidin' Away 12. A Heart in New York 13. The Late Great Johnny Ace 14. Kodachrome/Maybellene 15. Bridge over Troubled Water 16. 50 Ways to Leave Your Lover 17. Boxer 18. Old Friends 19. Bookends 20. 59th Street Bridge Song (Feelin' Groovy) 21. Sound of Silence 22. Late In The Evening